Dolls

• Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf

A mysterious drifter (Josh Hartnett) and a young Japanese Warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his seperate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secre! t past.A mysterious drifter (Josh Hartnett) and a young Japanese warrior Yoshi (Gackt) both arrive in a town that has been terrorized by outrageous and virulent criminals. Each is obsessed with his separate mission, and guided by the wisdom of The Bartender (Woody Harrelson) at the Horseless Horseman Saloon, the two eventually join forces to bring down the corrupt and contemptuous reign of Nicola (Ron Perlman), the awesomely evil woodcutter and his lady Alexandra (Demi Moore), a femme fatale with a secret past.You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of sword! s. As the character grows into manhood, played by Jason Momoa ! (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual! unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonA naïve young man assumes a dead man's identity in order to join a underworld game of Russian Roulette. The stakes are high, but the payout is more than he can resist. His only collateral is his life and however long his luck can hold. Are his odds any better than any other player in this most deadly game?In a young Republic of China, where greedy warlords fuel a period of war and strife, Hou Jie (Andy Lau) arrogantly shows no mercy to his enemies seeking refuge with the benign and compassionate Shaolin monks. After unscrupulously killing a wounded ! enemy, Hou Jie pays a terrible price for his actions and is fo! rced to seek refuge in the same Shaolin Monastery he blatantly disrespected. Hou Jie s traitorous second-in-command Cao Man (Nicholas Tse) continues where the once-warlord left off, betraying his country and his own people. Hou Jie must adapt to Shaolin principles to stop the monster he created.

Bonus Features
English Dub
Deleted Scenes
US Trailers
International TrailersBased loosely on the 1982 martial arts epic Shaolin Temple, which helped to mint Jet Li as a star, this Hong Kong blockbuster from Benny Chan stars Andy Lau as a battle-weary warlord who finds refuge and then solace among the monks of a Shaolin temple. Set during the tumult of early Republican China, the story unfolds as Lau's warlord usurps his rivals, but at the cost of his daughter's life and his wife's loyalty. His spirit crushed, he decides to atone for his violent past by joining a Shaolin order (which counts Jackie Chan, in a glorified cameo, as its cook). Lau's path to enlightenment is ca! st into doubt when he discovers that his former second-in-command (Nicholas Tse, in an enjoyably overripe performance) has enslaved the local population and forced them to unearth relics in order to pay for greater weapons. Things naturally come to a head between Lau and Tse, but the film is less concerned with sprawling martial arts battles than the emotional conflicts between and within its major players. Honor, familial loyalty, remorse, and pursuit of spiritual wholeness are cornerstones of Hong Kong action films, but the depth of the performances and screenplay (by Alan Yuen) lends rich nuances to the subjects, often at the expense of adding an extra fight scene to the picture. That's perhaps a good thing, as martial arts choreographer Corey Yuen's usual pyrotechnics are hobbled somewhat by his leads, who are fine actors but only modest fighters, leaving the firepower to wushu champion Wu Jing as a Shaolin elder. Chan's formidable talents are used to underscore his com! ic contributions to the film, and as such, are only mildly ent! ertainin g. That's also how most martial arts fans will view Shaolin, though those who value theme as well as action may find it a frequently thoughtful diversion. The Blu-ray collector's edition features a gallery of deleted scenes (mostly extended versions of scenes in the theatrical cut) and trailers, as well as a pair of by-the-books featurettes on the film's production. Slightly more interesting are a handful of interviews with the principals, which touch on the picture's historical basis and the '82 Li film, among other subjects. --Paul GaitaYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great ! deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't a! lready feel that from the chaotic cutting--since the movie was! origina lly released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonWhat happens when a man with everything a beautiful wife (Nicole Kidman), a teenage daughter (Liana Liberato) and a wealthy estate is confronted with the reality of losing it all? That is what Kyle Miller (Nicolas Cage) must come to terms with as he and his family become the victims of a vicious home invasion. Led by Elias (Ben Mendelsohn) and Jonah (Cam Gigandet), a gang of cold-blooded thugs holds Kyle and his loved ones hostage as they carry out their plans to take everything that Kyle holds dear, includin! g his life.Kyle and Sarah Miller (Nicolas Cage and Nicole Kidman) are minding their own business, enjoying the fruits of his lavish success as a diamond salesman. Well, maybe not "enjoying"--there are hints this marriage isn't exactly fulfilling either spouse. Out of the blue, a gang of jewel thieves arrive to take the couple hostage, find the loot, and threaten their teenage daughter (Liana Liberato) in the bargain. And with that setup, Trespass is off and running for 90 minutes of pretty-near nonstop crazy-time, as the thieves begin to unravel and motor-mouth Kyle tries to talk them out of whatever latest strategy they attempt. When you learn that the film is directed by Joel (Batman & Robin) Schumacher, you may assume that the tone will be lurid, and it is. But darned if Schumacher doesn't manage to make a guilty-pleasure sort of experience out of the hothouse dialogue and rampant overplaying; if this movie had been produced on a low budget with unknown act! ors, it would probably be hailed as a B-movie sleeper. Cage ov! erdoes t he nerd factor, but Kidman manages to find some eerie moments (and cinematographer Andrzej Bartkowiak sure knows how to photograph her). Adding value is the chief hostage-taker, Ben Mendelsohn, whose sinister performance in Animal Planet marked him as a villain to watch; here, he memorably tries to keep it together as he juggles his fragile brother (Cam Gigandet), a trigger-happy henchman (Dash Mihok), and a strung-out girlfriend (Jordana Spiro). For the record, the absurd plot turns are almost impossible to defend, but the movie hurtles along so insanely you may not have time to care. --Robert HortonInspired by the everlasting emotions expressed in Japanese Bunraku doll theatre, Dolls weaves three stories delicately intertwined by the beauty of sadness. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza mysteriously returns to the park where he used to meet his long-past girlfriend. A disf! igured pop star confronts the phenomenal devotion of her biggest fanDolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action.

The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, a! nd formal movement imposed by Kitano's compositional eye and r! igorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her.

This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson

Gone, Baby, Gone: A Novel

• ISBN13: 9780061336218
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound ye! llow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready! . Without sentimentalizing the grotesque figure of Cheese, Le! hane tel ls us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the! War, Sacred. --Dick Adler

Courageous (The Lost Fleet, Book 3)

• ISBN13: 9780441015672
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift ! farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and their fathering. Can a newfound urgency help these dads draw closer to God . . . and to their children?

In the new film COURAGEOUS (from the makers of Fireproof), four police officers are confident and focused when it comes to facing danger on the job. But leading their families at home in a God-honoring way? That takes courage. 

Because it is important to take a faithful, fearless stand in so many areas of life, pastor and COURAGEOUS executive producer Michael Catt offers Courageous Living as a closer look at biblical themes and characters that inspired the greatly anticipated movie. 

Catt brings fresh insight to "stories of people in the Bible who displayed great courage when it would have been easier to play it safe... (who) ch! allenge me to keep moving forward. They demand that I examine ! my prior ities and deal with anything that brings fear to my heart." 

Readers will catch a new wind of bravery in the bold accounts of Abraham ("The Courage to Get Going"), Nehemiah ("The Courage to Face Criticism"), and Ruth ("The Courage to Face an Uncertain Future"). There are also growth opportunities in the stirring stories of Moses, Elijah, Joshua, Daniel, Gideon, Nehemiah, Stephen, and Paul and Timothy.

“A man cannot be passive about what Scripture tells him to do for his family and expect to be found faithful to God in the end. He must see with spiritual eyes and realize that future generations are directly impacted by his daily decisions.”
â€"The Resolution for Men

The Resolution for Men is the inspiring book born out of Courageous, a new film by the makers of Fireproof coming to theaters nationwide in fall 2011. The movie, which presents a powerful story of strong male leadership, is an emotiona! lly charged wake-up call to fathers whose influence upon their children and society is immeasurable. The Resolution for Men follows to challenge men of all ages to become as bold and intentional about embracing their responsibilities as leaders of their homes, marriages, and children.

Written by Stephen and Alex Kendrick, screenwriters of Courageous and authors of New York Times No. 1 best seller The Love Dare (five million copies sold), The Resolution for Men strategically inspires men to reconcile with their past, re-engage in the present by taking full responsibility for their wives and children, and then move forward with a bold and clear resolution for the future. Written in partnership with the movie and Priscilla Shirer’s new book, The Resolution for Women, it is designed to inspire a revolution.

After police officer Mac McDonald loses his son in an accident, years of bitterness and pain erodes his lo! ve for his family and leaves him angry with God … and everyo! ne else. Can Mac and his new patrol partner, Sgt. Sam Wright, somehow join forces to help one another when it’s impossible to look past their differencesâ€"especially the most obvious one? Every day, we have the opportunity to rebuild relationships and heal wounds by extending and receiving God’s grace. Offer The Grace Card … and never underestimate the power of God’s love. The Grace Card stars Michael Joiner, Michael Higgenbottom and Academy Award Winner, Louis Gossett Jr.A Christian film about grace and forgiveness, The Grace Card tackles prejudice, loss, and grief. The death of a child 17 years ago filled Mac's heart with anger and bigotry and crippled his relationship with his wife and youngest son. In his job as a policeman, he's paired up with Sam, a black officer who's also a part-time preacher and whom Mac dislikes intensely. Sam has also just received the promotion Mac thinks he deserved himself. The difficult partnership affects each man and hi! s family in very different and significant ways. Sam struggles with the conflict between his desire as a minister to love and accept everyone, and his intense feelings of anger and even hate toward his fellow officer. That struggle almost turns him away from his calling as a preacher. A crisis on the job threatens to decimate what's left of Mac's family and brings the conflict between Mac and Sam to a climax. Just when the situation looks like it might destroy both men, a few well-chosen words and a seeming coincidence reveal that God has made Sam's and Mac's paths cross for a reason. What's more, their interaction with one another causes both men to experience a personal and spiritual growth that neither could have anticipated. The expressions of bigotry in the film are hard to stomach, the sermonizing may be off-putting to some, and the events are sometimes quite predictable, but the portrayal of a city torn in half by racial prejudice is compelling and the message that f! orgiveness, rather than justice, offers the best solution is c! ertainly worth considering. --Tami Horiuchi

In the new film Courageous (from the makers of Fireproof), four law officers are confident and focused when standing up to the worst the streets have to offer. But leading their families at home in a God-honoring way? That takes courage.

Based on the highly anticipated movie, the Courageous Living Bible Study Leader Kit will help facilitate leading men toward living more courageously in four key areas: 

Responsibility: serving, protecting, and casting a vision for their family 
Priorities: focusing on eternal things rather than what is temporary 
Legacy: recognizing a father’s potential impact as a godly role model 
Faith: strengthening a father’s identity in Christ, increasing in wisdom

This dynamic four-week study kit includes one 64-page member book and a DVD featuring Courageous film clips to support each lesson. In addition there ! are a number of printable leader helps to assist in preparation the study.

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, th! eir fears, their faith, and their fathering. Can a newfound ur! gency he lp these dads draw closer to God . . . and to t

From the creators of Fireproof comes an inspiring new story about everyday heroes who long to be the kinds of dads that make a lifelong impact on their children. As law enforcement officers, Adam Mitchell, Nathan Hayes, and their partners willingly stand up to the worst the world can offer. Yet at the end of the day, they face a challenge that none of them are truly prepared to tackle: fatherhood. While they consistently give their best on the job, good enough seems to be all they can muster as dads. But they’re quickly discovering that their standard is missing the mark.
They know that God desires to turn the hearts of fathers to their children, but their children are beginning to drift farther and farther away from them. Will they be able to find a way to serve and protect those who are most dear to them? When tragedy hits home, these men are left wrestling with their hopes, their fears, their faith, and t! heir fathering. Can a newfound urgency help these dads draw closer to God . . . and to t

Written in partnership with Sherwood Pictures' upcoming film, COURAGEOUS, in The Resolution for Women, popular speaker and author Priscilla Shirer challenges all women to be intentional about embracing and thriving in God’s beautiful and eternal calling on their lives. 

Like the men in the movie who resolve to fully accept their responsibilities before God, Shirer explains how today's women can and should live out their own resolution. It is "a defining banner that hangs over your life, written in the ink of your own choices." A woman's banner should be an accurate reflection of who she desires to be-someone completely Christ-centered who blesses and changes things in her world for the better. 

The Resolution for Women inspires women with intentional, spirit-filled living from three unique angles. Section one, entitled, "This Is Who I Am," helps ! a woman define herself as "authentically me, purposefully femi! nine, su rprisingly satisfied, and faithfully His." Section two, "This Is What I Have," invites her to value "my best, my blessing, my honor, and my heart." And Section three, "This Is What Matters To Me," focuses on joyfully honoring God as a wife, mother, and family member while resolving to live with the grace that leaves a godly legacy. The Resolution for Women is designed to inspire a revolution.

Fireproof
Kirk Cameron (Left Behind) stars as Caleb Holt, a heroic fire captain who values dedication and service to others above all else. But the most important partnership in his life, his marriage, is about to go up in smoke. This gripping story follows one man's desire to transform his life and marriage through the healing power of faith and fully embrace the fireman's code: Never Leave Your Partner Behind.

Facing the Giants
In six years of coaching, Grant Taylor has never led his Shiloh Eagles to a winning season.! After learning that he and his wife Brooke face infertility, Grant discovers that a group of fathers are secretly organizing to have him dismissed as head coach. Devastated by his circumstances, he cries out to God in desperation. When Grant receives a message from an unexpected visitor, he searches for a stronger purpose for his football team. He dares to challenge his players to believe God for the impossible on and off the field. When faced with unbelievable odds, the Eagles must step up to their greatest test of strength and courage.

Flywheel
Jay Austin wants to sell you a used car, but watch out! Many victims have fallen prey to his smiling face and hasty promises. Austin does everything his way until his dishonesty and manipulation are repeatedly exposed. Like many men, he becomes disgusted by the masks he wears and lies he tells. While having a classic convertible repaired, Austin begins a humorous and inspiring journey to win back the ! hearts of his wife, his son, and his community. In every man's! life, t here can be a turning point. When Jay Austin makes his turn, he never looks back.

In the new film Courageous (from the makers of Fireproof), four law officers are confident and focused when standing up to the worst the streets have to offer. But leading their families at home in a God-honoring way? That takes courage. 

Based on the highly anticipated movie, the Courageous Living Bible Study is a 64-page book used for four weeks by an individual in relation with the class leader's companion teaching DVD of Courageous film clips. It will guide the participant toward living more courageously in four key areas: 

Responsibility: serving, protecting, and casting a vision for their family 
Priorities: focusing on eternal things rather than what is temporary 
Legacy: recognizing a father's potential impact as a godly role model 
Faith: strengthening a father's identity in Christ, increasing in wisdomThe Lost Fleet continues its perilous journey home.

Badly damaged and low on supplies, the Alliance Fleet is raiding Syndic mines for raw materials-and Captain "Black Jack" Geary hopes they can continue to remain one step ahead of their enemies. But the Syndics are the least of Geary's worries when he learns of the existence of aliens with the power to annihilate the human race.

Deck the Halls

• REGION 1 DVD - NSTC

Matthew Broderick and Danny DeVito are hilarious as two neighbors trying to put the "win" in "winter" in one of the year's funniest comedies! Determined to unseat Steve Finch's (Broderick) reign as the town's holiday season king, Buddy Hall (DeVito) plasters his house with so many decorative lights that it'll be visible from space! When their wives (Kristin Davis and Kristin Chenoweth) bond, and their kids follow suit, the two men only escalate their rivalry ­ and their decorating. It's anybody's guess whether the holidays will wind up jolly or jostled in this wild and woolly laugh-fest that the whole family will love!Good neighbors can be hard to come by and when the flighty Buddy Hall (Danny Devito) moves in across the street from the conservative Dr. Steve Finch (Matthew Broderick), it quickly becomes apparent that the two men are complete opposites. While Finch met! hodically plans out every minute of the coming Christmas season for his family, Buddy craves freshness and excitement and is seized by an impulsive desire to decorate his house so brightly that it can be seen from space. While the men's wives Kelly (Kristin Davis) and Tia (Kristin Chenoweth) and their children revel in one another's differences and form solid friendships, a rivalry of personalities and Christmas spirit ensues between the two men that will wind up testing the patience and love of every member of both families. This is fun, comical holiday entertainment for the entire family ages 9 and older. --Tami Horiuchi

Beyond Deck the Halls

The Holidays on DVD

Matthew Broderick Films

Danny DeVito Films

Stills from Deck the Halls

Studio: Tcfhe Release Date: 10/04/2011 Run time: 93 minutes Rating: PgA slapstick comedy starring Matthew Broderick and Danny DeVito, Deck The Halls tackles the Christmas spirit with lights, music, and plenty o' pratfalls--none of which makes much sense in this floundering film. Steve Finch (Broderick) is a persnickety dentist who enjoys being the town's go-to guy when it comes to all things Christmas. Buddy Hall (DeVito) is his new neighbor--a car salesman who finds that decorating the exterior of his house in bright, garish decorations and lights makes him feel like the big man he never was. His goal is for his Lite-Brite house to be visible from space. Why? It's better not to ask, because there really is no logical explanation. As Buddy says, "Sometimes my stupidity astounds me." The same could be said for Steve and this movie. While the characters' wives (played by Kristin Davis and Kristin Chenoweth) are more relatable, their fast friendship is! unbelievable--especially when they side with each other rathe! r than t heir husbands. Though there are some funny moments (a dirty manger scene with a spitting camel comes to mind), Deck The Halls spends way too much time asking the audience to root for a pair of wannabe alpha males who have little redeeming value. Both DeVito (Get Shorty, Taxi) and Broderick (Election, WarGames) have formidable resumes and deserve better than this movie, which offers strong visuals but a barely-there plot. "How's it feel to be invisible?" Steve rhetorically asks. Sometimes, being invisible is better than just being bad. --Jae-Ha Kim

Product Description

CHRISTMAS IN PARADISE

Two bereaved families take a holiday vacation to an exotic Caribbean island to escape the memories of Christmas past. Dan Cassidy s (Colin Ferguson, Eureka) wife has left him and his teen daughters for another man. Dana Shaw (Charlotte Ross, Glee) recently suffered the death of her husband, leaving her alone with their two teen sons.! The parents and kids develop bonds on a cruise ship and their stay at a beach resort. When Dan's ex-wife shows up to reclaim her family, what promised to be a happy Christmas turns emotionally complicated as each character has to sort out their feelings and choose their own path.

DECK THE HALLS

Holly (Gabrielle Carteris, Beverly Hills, 90210) returns to her hometown with her eight-year old son, Ben, to work for her father's toy business. Soon after, Ben watches a man (Steve Bacic, Big Love) move in next door with a sleigh, red suit, and lots of Christmas goodies. Ben begins to believe that their new neighbor is Santa Claus, and devises a plan to set up his mom with Santa Claus.

Studio: Tcfhe Release Date: 10/04/2011 Run time: 93 minutes Rating: PgA slapstick comedy starring Matthew Broderick and Danny DeVito, Deck The Halls tackles the Christmas spirit with lights, music, and plenty o' pratfalls--none of which makes much sense in this floundering f! ilm. Steve Finch (Broderick) is a persnickety dentist who enjo! ys being the town's go-to guy when it comes to all things Christmas. Buddy Hall (DeVito) is his new neighbor--a car salesman who finds that decorating the exterior of his house in bright, garish decorations and lights makes him feel like the big man he never was. His goal is for his Lite-Brite house to be visible from space. Why? It's better not to ask, because there really is no logical explanation. As Buddy says, "Sometimes my stupidity astounds me." The same could be said for Steve and this movie. While the characters' wives (played by Kristin Davis and Kristin Chenoweth) are more relatable, their fast friendship is unbelievable--especially when they side with each other rather than their husbands. Though there are some funny moments (a dirty manger scene with a spitting camel comes to mind), Deck The Halls spends way too much time asking the audience to root for a pair of wannabe alpha males who have little redeeming value. Both DeVito (Get Shorty, Taxi) and! Broderick (Election, WarGames) have formidable resumes and deserve better than this movie, which offers strong visuals but a barely-there plot. "How's it feel to be invisible?" Steve rhetorically asks. Sometimes, being invisible is better than just being bad. --Jae-Ha KimWhen their only daughter Blair leaves the family nest, Luther and Nora Krank (Tim Allen and Jamie Lee Curtis) decide to book an island cruise to beat the yuletide blues and just skip the holidays. But their decision to boycott tradition has the whole neighborhood in an uproar, and when Blair callson Christmas Eve to announce a surprise visit with her new fiancée, the Kranks have just twelve hours to perform a miracle and pull themselves and their neighbors together to throw the best celebration ever.Slapstick humor gets a full-body workout in Christmas with the Kranks. Critics were unanimous in their derision, and John Grisham must have gnashed his teeth over what studio-boss-t! urned-director Joe Roth did to his bestselling novel Skippi! ng Chris tmas, to which this broad-stroked comedy bears little or no resemblance. The title characters are played by Tim Allen and Jamie Lee Curtis, who decide to skip Christmas because their daughter's in Peru with the Peace Corps. Thus begins a rabid program of enforced conformity when their neighbors (led by Dan Aykroyd) coerce the Kranks into changing their holiday attitude--a change that comes easily when the daughter announces she'll be home for Christmas after all. Imagine if a suburban lynch mob said "Have a Merry Christmas or we'll kill you," and you'll get some idea of what spending Christmas with the Kranks is really like. And if you laughed at the frozen cat, you're probably on Santa's "naughty" list. --Jeff ShannonIn the tradition of such classic films as "Miracle On 34th Street", a hip, eccentric marketing genius teaches a widow and her son the miracle of Christmas.

Big [VHS]

• Condition: Used - Good

Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 104 minutes
A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh

Features include:

•MPAA Rating: PG
•Format: Blu-Ray
•Runtime: 104 minutes
! A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghAt a carnival, young Josh Baskin (Hanks) wishes he was big ? only to awake the next morning and discover he is! With the help of his friend Billy, Josh lands a job at a toy company. But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, acting,! and direction, Big is the story of a 12-year-old boy w! ho wishe s he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA LITTLE BOY MAKES A WISH ON A CARNIVAL WISHING MACHINE TO BE BIG &THE WISH IS MYSTERIOUSLY GRANTED, MAKING HIM A LITTLE BOYIN A MAN'S BODY.A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, wor! k, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghA little boy makes a wish on a carnival wishing machine to be big &the wish is mysteriously granted making him a little boy in a mans body. Studio: Tcfhe Release Date: 09/02/2003 Starring: Tom Hanks John Heard Run time: 104 minutes Rating: Pg Director: Penny MarshallA perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious issues of sex, work, and childhood friendships, and in all of these things the acce! nt is on classy humor and great sensitivity. Hanks is remarkab! le in th e lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom KeoghAt a carnival, young Josh Baskin (HANKS) wishes he was big-only to awake the next morning and discover he is! With the help of his friend Billy (JARED RUSHTON), Josh lands a job at a toy company. There, his inner wisdom enables him to successfully predict what children want to buy, making the awestruck, naïve Josh irresistible to a beautiful ladder-climbing colleague (ELIZABETH PERKINS). But the more he experiences being an adult, the more Josh longs for the simple joys of childhood.A perfect marriage of novel but incisive writing, acting, and direction, Big is the story of a 12-year-old boy who wishes he were older, and wakes up one morning as a 30-year-old man (Tom Hanks). The script by Gary Ross (Dave) and Anne Spielberg finds some unexpected ways of attacking obvious ! issues of sex, work, and childhood friendships, and in all of these things the accent is on classy humor and great sensitivity. Hanks is remarkable in the lead, at times hilarious (reacting to caviar just as a 12-year-old would) and at others deeply tender. Penny Marshall became a first-rate filmmaker with this 1988 work. --Tom Keogh