Friday, November 11, 2011

Mister Lonely

  • When a Michael Jackson impersonator (Diego Luna) living in Paris falls for a Marilyn Monroe impersonator (Samantha Morton) during a performance at a retirement home, the lovestruck pair retreats to a seaside castle in the Scottish highlands populated by a commune of reclusive impersonators. Earning a living can be a difficult endeavor in the City of Lights, and in order to make ends meet, one man
GUMMO - DVD MovieJULIEN DONKEY-BOY - DVD MovieFrom Harmony Korine, screenwriter of Kids, comes a haunting portrait of life in small-town America. Through a collection of dreamlike and devastating images, Korine offers a glimpse of Xenia, Ohio, a world existing in the aftermath of a tornado.Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians livi! ng in Southern California. Ken Park takes its name from the skate park where an ancillary character takes his own life in the film's opening moments, and then proceeds to chronicle the somewhat-interrelated lives of his classmates.

The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for erotic sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui).

Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its non-commercial content made finding a U.S. distributor near-impossible.

Uncut & Uncensored Anamorphic (16:9) Widescreen Version
English 5.1 & Russian 5.1 Audio Options
Optional Russian SubtitlesAfter five years in prison for a crime he didnt commit billy brown a down-on-his-luck-romantic comes home to seek revenge on a local field goal kicker who cost him his freedom and buffalo its super bowl dreams. Studio: Lions Gate Home Ent. Release Date: 02/01/2005 Starring: Vincent Gallo Ben Gazzara Run time: 110 minutes Rating: RMISTER LONELY - DVD Movie

Empire (Tor Science Fiction)

  • ISBN13: 9780765355225
  • Condition: New
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Imperialism as we knew it may be no more, but Empire is alive and well. It is, as Michael Hardt and Antonio Negri demonstrate in this bold work, the new political order of globalization. It is easy to recognize the contemporary economic, cultural, and legal transformations taking place across the globe but difficult to understand them. Hardt and Negri contend that they should be seen in line with our historical understanding of Empire as a universal order that accepts no boundaries or limits. Their book shows how this emerging Empire is fundamentally different from the imperialism of European dominance and capitalist expansion in previous eras. Rather, today's Empire draws on elements of U.S. cons! titutionalism, with its tradition of hybrid identities and expanding frontiers.

Empire identifies a radical shift in concepts that form the philosophical basis of modern politics, concepts such as sovereignty, nation, and people. Hardt and Negri link this philosophical transformation to cultural and economic changes in postmodern society--to new forms of racism, new conceptions of identity and difference, new networks of communication and control, and new paths of migration. They also show how the power of transnational corporations and the increasing predominance of postindustrial forms of labor and production help to define the new imperial global order.

More than analysis, Empire is also an unabashedly utopian work of political philosophy, a new Communist Manifesto. Looking beyond the regimes of exploitation and control that characterize today's world order, it seeks an alternative political paradigm--the basis for a truly democra! tic global society.

(20010723)Empire is a sweepin! g book w ith a big-picture vision. Michael Hardt and Antonio Negri argue that while classical imperialism has largely disappeared, a new empire is emerging in a diffuse blend of technology, economics, and globalization. The book brings together unlikely bedfellows: Hardt, associate professor in Duke University's literature program, and Negri, among other things a writer and inmate at Rebibbia Prison in Rome. Empire aspires to the same scale of grand political philosophy as Locke or Marx or Fukuyama, but whether Hardt and Negri accomplish this daunting task is debatable. It is, however, an exciting book that is especially timely following the emergence of terrorism as a geopolitical force.

Hardt and Negri maintain that empire--traditionally understood as military or capitalist might--has embarked upon a new stage of historical development and is now better understood as a complex web of sociopolitical forces. They argue, with a neo-Marxist bent, that "the multitude" will ! transcend and defeat the new empire on its own terms. The authors address everything from the works of Deleuze to Jefferson's constitutional democracy to the Chiapas revolution in a far-ranging analysis of our contemporary situation. Unfortunately, their penchant for references and academese sometimes renders the prose unwieldy. But if Hardt and Negri's vision of the world materializes, they will undoubtedly be remembered as prophetic. --Eric de Place In the tradition of Bury My Heart at Wounded Knee, a stunningly vivid historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West, centering on Quanah, the greatest Comanche chief of them all.

S. C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most r! emarkable narratives ever to come out of the Old West: the epi! c saga o f the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specif! ically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroadsâ€"a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.

S. C. Gwynne’s account of these events is meticulous! ly researched, intellectually provocative, and, above all, thr! illingly told. Empire of the Summer Moon announces him as a major new writer of American history.

EMPIRE - DVD Movie
The British Empire was the largest in all history: the nearest thing to world domination ever achieved. By the eve of World War II, around a quarter of the world's land surface was under some form of British rule. Yet for today's generation, the British Empire seems a Victorian irrelevance. The time is ripe for a reappraisal, and in Empire, Niall Ferguson boldly recasts the British Empire as one of the world's greatest modernizing forces.An important new work of synthesis and revision, Empire argues that the world we know today is in large measure the product of Britain's Age of Empire. The spread of capitalism, the communications revolution, the notion of humanitarianism, and the institutions of parliamentary democracy-all these can be traced back to the extraordinary expansion of Britain's economy, population, and culture from the seven! teenth century until the mid-twentieth. On a vast and vividly colored canvas, Empire shows how the British Empire acted as midwife to modernity.Displaying the originality and rigor that have made him the brightest light among British historians, Ferguson shows that the story of the Empire is pregnant with lessons for today-in particular for the United States as it stands on the brink of a new era of imperial power, based once again on economic and military supremacy. A dazzling tour de force, Empire is a remarkable reappraisal of the prizes and pitfalls of global empire.
At its peak in the nineteenth century, the British Empire was the largest empire ever known, governing roughly a quarter of the world's population. In Empire, Niall Ferguson explains how "an archipelago of rainy islands... came to rule the world," and examines the costs and consequences, both good and bad, of British imperialism. Though the book's breadth is impressive, it is not i! ntended to be a comprehensive history of the British Empire; r! ather, F erguson seeks to glean lessons from this history for future, or present, empires--namely America. Pointing out that the U.S. is both a product of the British Empire as well as an heir to it, he asks whether America--an "empire in denial"--should "seek to shed or to shoulder the imperial load it has inherited." As he points out in this fascinating book, there is compelling evidence for both.

Observing that "the difficulty with the achievements of empire is that they are much more likely to be taken for granted than the sins of empire," Ferguson stresses that the British did do much good for humanity in their quest for domination: promotion of the free movement of goods, capital, and labor and a common rule of law and governance chief among them. "The question is not whether British imperialism was without blemish. It was not. The question is whether there could have been a less bloody path to modernity," he writes. The challenge for the U.S., he argues, is for it to use! its undisputed power as a force for positive change in the world and not to fall into some of the same traps as the British before them.

Covering a wide range of topics, including the rise of consumerism (initially fueled by a desire for coffee, tea, tobacco, and sugar), the biggest mass migration in history (20 million emigrants between the early 1600s and the 1950s), the impact of missionaries, the triumph of capitalism, the spread of the English language, and globalization, this is a brilliant synthesis of various topics and an extremely entertaining read. --Shawn Carkonen

The American Empire has grown too fast, and the fault lines at home are stressed to the breaking point. The war of words between Right and Left has collapsed into a shooting war, though most people just want to be left alone.

The battle rages between the high-technology weapons on one side, and militia foot-soldiers on the other, devastating the cities, and overrunning t! he countryside. But the vast majority, who only want the killi! ng to st op, and the nation to return to more peaceful days, have technology, weapons and strategic geniuses of their own.

When the American dream shatters into violence, who can hold the people and the government together? And which side will you be on?

Orson Scott Card is a master storyteller, who has earned millions of fans and reams of praise for his previous science fiction and fantasy novels. Now he steps a little closer to the present day with this chilling look at a near future scenario of a new American Civil War.

Boys of Baraka Poster Movie 11x17 Devon Brown Richard Keyser Justin Mackall Romesh Vance

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Don't miss the true coming-of-age story that follows a group of extraordinary 12-year-old boys from the most violent ghettos of Baltimore to an experimental boarding school 10,000 miles away in rural Kenya. An emotionally explosive journey shot over three years, the film zeroes in on a group of brave kids who are willing to cross the ocean to chase an opportunity - boys with a fierce determination to fight the label of "throw-away."

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.Ironweed Film Club. This DVD includes: Feature Film * One Short * Directors' commentary interactive menus and DVD extras. The Boys of Baraka Directed by Heidi Ewing and Rachel Grady * 2005 * 84 minutes. Ryan's Well Directed by Lalita Krishna * 2001 * 25 minutes. WINNER best documentary Chicago Int'l Film Festival 2005 WINNER best documentary Newport Int'l film festival 2005.Boys of Baraka reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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Uncertainty

  • UNCERTAINTY (DVD MOVIE)
Loud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, ta ttooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, immaculately groomed covert operative he played in Inception. But what's consistent in both performances and the thing that gives the übe! r-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious outbursts of brutality, aggression, and deep-seated emotional pain lying ju! st beneath everyone's surface. Hesher is the catalyst, and for! tunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-out ragamuffin who crosses paths with both T.J. and Hesher seems also to be trying to put a shine on her indie cred. Piper Laurie's turn as the ob! ese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryLoud music. Pornography. Lighting fires. These are a few of Hesher’s favorite things. And they are what Hesher (Joseph Gordon-Levitt) brings into the lives of TJ (Devin Brochu) and his father Paul (Rainn Wilson) when he takes up residence in the garage uninvited. Grief stricken by the loss of TJ’s mother, Paul can’t muster the strength to evict the strange squatter and soon the long-haired, tattooed Hesher becomes a fixture in the household. Like a force of nature, Hesher’s anarchy shakes the family out of their grief and helps them embrace life once more.As the title character in Hesher, Joseph Gordon-Levitt wears a grungy fright wig and anarchic death-metal attitude to match. He's worlds away from the suave, ! immaculately groomed covert operative he played in Inceptio! n. B ut what's consistent in both performances and the thing that gives the über-indie and perhaps overly nihilistic Hesher its punch is Gordon-Levitt's sleek, leonine physicality. Hesher is a mysterious, violent, rude, yet affectingly empathetic drifter who appears in the life of 13-year-old T.J., his depressed father, and ailing grandmother, all of whom are grieving the recent death of the boy's mother. Hesher drives a beat-up black van and sleeps in vacant houses (until he moves uninvited into T.J.'s garage), popping in and out of the action at random and seemingly just to bring more chaos into the life of T.J. and his family. Whether Hesher is what the family needs to unscrew itself from the funk of extreme dysfunction caused by their communal tragedy is something first-time writer-director Spencer Susser tries hard to work out, and not always with complete success. It's a tough and very messy narrative that runs dangerously close to mawkishness, but for the vicious o! utbursts of brutality, aggression, and deep-seated emotional pain lying just beneath everyone's surface. Hesher is the catalyst, and fortunately Gordon-Levitt's physical grace is extraordinarily compelling as he pushes and punishes his lithe body in complete commitment to the role. This is a severely damaged soul who's probably beyond redemption himself, but understands that he still has something to give that might be of aid to someone else. As the primary beneficiary of the salvation on offer, Devin Brochu is an impressive little brother-like match as T.J., even as he's constantly exposed to the physical danger that's a by-product of being in proximity to Hesher (kudos to the tiny stunt double who gets tossed around like a rag doll). The rest of the cast do their best to keep up with the bedlam. Rainn Wilson is stretching some little-used actorly muscles as the near-catatonic dad for whom something must change, and Natalie Portman looking positively frumpy as a down-and-o! ut ragamuffin who crosses paths with both T.J. and Hesher seem! s also t o be trying to put a shine on her indie cred. Piper Laurie's turn as the obese, uncomprehending grandmother is a poignant peak in her long career and a character that's integral to the changes everyone else experiences, most especially Hesher himself. --Ted FryUNCERTAINTY - DVD Movie

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The Da Vinci Code

  • ISBN13: 9780307474278
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
PREMIUM MASS MARKET EDITION

#1 Worldwide Bestsellerâ€"More Than 80 Million Copies Sold

As millions of readers around the globe have already discovered, The Da Vinci Code is a reading experience unlike any other. Simultaneously lightning-paced, intelligent, and intricately layered with remarkable research and detail, Dan Brown's novel is a thrilling masterpieceâ€"from its opening pages to its stunning conclusion.With The Da Vinci Code, Dan Brown masterfully concocts an intelligent and lucid thriller that marries the gusto of an international murder mystery with a collection of fascinating esoteria culled from 2,000 years of Western history.

A murder in! the silent after-hour halls of the Louvre museum reveals a sinister plot to uncover a secret that has been protected by a clandestine society since the days of Christ. The victim is a high-ranking agent of this ancient society who, in the moments before his death, manages to leave gruesome clues at the scene that only his granddaughter, noted cryptographer Sophie Neveu, and Robert Langdon, a famed symbologist, can untangle. The duo become both suspects and detectives searching for not only Neveu's grandfather's murderer but also the stunning secret of the ages he was charged to protect. Mere steps ahead of the authorities and the deadly competition, the mystery leads Neveu and Langdon on a breathless flight through France, England, and history itself. Brown (Angels and Demons) has created a page-turning thriller that also provides an amazing interpretation of Western history. Brown's hero and heroine embark on a lofty and intriguing exploration of ! some of Western culture's greatest mysteries--from the nature! of the Mona Lisa's smile to the secret of the Holy Grail. Though some will quibble with the veracity of Brown's conjectures, therein lies the fun. The Da Vinci Code is an enthralling read that provides rich food for thought. --Jeremy Pugh

The Girl from Purple Mountain: Love, Honor, War, and One Family's Journey from China to America

  • ISBN13: 9780312302702
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A family memoir set against the shifting tides of twentieth-century China, The Girl from Purple Mountain begins with a mystery: the Chai family matriarch, Ruth Mei-en Tsao Chai, dies unexpectedly and her grieving husband discovers that she had secretly arranged to be buried aloneâ€"rather than in the shared plots they had purchased together years ago.

For many years, Ruth's family remained shocked by her decision and could not begin to fathom her motivations. Over time, they would fully understand her extraordinary story. Ruth was born in China at the beginning of the 20th century, during the reign of the last emperor. Educated by American missionaries, she was one of the first wome! n admitted into a Chinese university, during an era when most Chinese women were illiterate and had bound feet. She would defy tradition and refuse to marry the man her family had chosen for her, instead choosing his younger brother as her husband. Later, as the Japanese Army advanced across China during World War II, her foresight and quick thinking kept her family alive as she, her husband, and their three sons were forced to flee from city to city. In war-torn Chungking, she was Lady Mountbatten's interpreter as the Allies struggled to help China. After the war, the Chais immigrated to the U.S. to what seemed, until Ruth's death, a happier and more peaceful life.

In this extraordinary family epic, Ruth's first-born son, Winberg, and his daughter May-lee explore family history to reconstruct her life as they seek to understand her fateful decision. As Winberg writes: "It is my duty to try to understand my mother, to seek answers. To ignore the past is too much lik! e forgetting . . . I hope my memories are enough to fulfill a ! son's ob ligations."

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